Almost Eternal Journey
I thought I was going to write about my cottage building journey while in Finland, but life had other plans. Being a mother to a newborn baby and trying to finish my cottage was harder than I thought. Despite of my loving son and my parents helping out whenever they could, despite of the weather yet again being very favourable, despite of all my best intentions, it wasn’t going to happen. So many loving arms around my baby girl was a blessing, yet I found it very difficult to replace the required energy withdrawn during the frequent feedings and sleepless nights. At times of despair, when one is completely sleep-ridden and frustrated, it is easy to see oneself only as a breast, not even as a mother, let alone an artist or a creator. I had some of those moments initially but strangely enough, I could still see through the fog eventually, when I relaxed into the environment and situation I was in. Which basically meant that I gave up.
I gave up trying to finish the cottage. I gave up silly plans. I gave up stressing about it.
There were many things on my to-do list, way too many for three week stay. So I had to think practically, an activity I sometimes excel in and sometimes am awful at. But really I had to prioritise the work ahead. On the exterior, I knew I needed to do lime-rendering of the strawbale part of the walls, as that was still lacking and another cold Finnish Winter was looming ahead. I also needed to cover up the remaining exposed strawbales with earthen plaster inside the cottage, which I hadn’t had time to do last Summer. And I desperately wanted to release the roof from its excess plastic overhangs, which I had left on to protect the cottage better from the harsh elements. Trimming the plastic off the eaves was my very first job, which felt so good, it was like giving the cottage’s roof its much needed hair-cut, even though its hair (vegetation) was sadly thin, dry and lifeless. I climbed on the roof and set my toes in what felt like a soft, brown desert. This green roof was dying of thirst, after such a hot, dry Summer! Here I am trying to salvage it, while offering some of the cold refreshment to my son (underneath) as well. 🙂
The cottage is situated in such an all-day sunny spot that many plants don’t thrive on its roof, particularly in dry conditions. On top of that, we hadn’t had time to add enough soil on the roof the previous Autumn, which meant that any seeds planted wouldn’t really have enough depth to establish roots or thrive. We added some more compost on the roof and my father did several trips to the forest to pick up different types of mosses and grasses, in order to add to the wig of this cottage. Even some of my mother’s flowers and over-grown lettuce somehow found their way onto the roof…
What a difference a bit of green love makes! My cottage immediately looked soooo happy! As did I!
|My cottage with a happy green wig.|
Next up was the lime rendering, which needs a fair weather to apply and since that is what we were having, I thought to set to work. Lime also needs time to set properly, and since it’s sensitive to frost, I needed to apply it in apt time before the first night frosts arrived. Mixed with sieved sand (a job irregularly done by my 10-year old son Eemil, in exchange for some Lego and few Euros), chopped straw and experimental quantities of red iron oxide pigment, I started applying this on the back wall, which would be most sensitive to the Finnish Winter of frost and snow.
|Here I am mixing lime-plaster in a bucket.|
|My son Eemil working.|
|My son Eemil not working.|
On each clear, bright day I mixed and applied a bit more lime render to the wall, every batch being of slightly different quality, consistency and colour. Nothing like making a patchwork cottage. 🙂 Eventually, I reached the baby dragon on the other side, at which point I stopped, as this is also where the strawbale wall finished. The rest of the cottage still needs to be rendered of course, but that is a story for another time and another Summer.
|Wet lime-render at the back of the cottage.|
|Making a bloody (pink) mess 🙂|
|Job done… for now.|
I then had to replace all the stones I had taken off from around the stemwall of the cottage before lime-rendering. It was an annoying job of almost eternal ‘stone rolling’ but beneficial in that it hid most of the awful, pink limey mess I had made around the cottage…
While I was working outside, I had also started touching up the inside of the cottage. The first and most boring job was to cover up the exposed strawbales with an earthen plaster, which was basically quite thick and pretty clayey cob mix. And who best to do the mix than my wonderful mama! With all the stomping experience of last Summer, she eagerly (…I hope…) set to work and watching her do this Summer’s first cob dance, it made us both fondly think about last Summer’s weird and wonderful experiences.
|My mum makes me the first batch of cob.|
Of course before this I had to ‘dive’ into the frog pond, aka clay pit, which strangely enough was full of water (despite of the Summer being so dry!). My son happily followed in my muddy footsteps, even if only to catch the numerous frogs and toads that had made the pit their home/swimming pool. With freezing cold, gray water up to my thighs and my son splashing next to me, I dug up wonderfully gooey clay gloop from the bottom of the pool and thought about Beez, one of my wonderful volunteers, who spent so many mornings and afternoons in this pit last Summer…
|Mr. Big – a huge toad involuntarily discovered.|
After too many frog discoveries and two wheelbarrows full of clay, I had had enough (of course only for the day). Next job, applying the mix to the wall. Can’t tell you how happy I was to get my hands dirty again. Really! Happy!
First layer of plaster being applied – both on the top row of strawbales as well as few bottom parts of the wall, where some earthbags were still exposed. My knees and thighs really felt the job of bending down and stretching up the following day(s).
|Plastering over the earthbags in the stem wall – such an awkward, knee and back breaking job!|
|Plastering over the strawbales near the ceiling.|
While I was plastering, we started talking with my father about the sleeping platform which I wanted to build inside, to maximise the usable space and to take advantage of the high ceiling in this cottage. My father had cut down a maple tree as well as some younger fir trees and peeled them for me in the Spring. The fir tree logs were really meant for the outdoor toilet I was hoping to build this Summer, but since I had no time for it this time around, we ended up using some of the logs for the sleeping platform instead. Here we are trying out the possible size of the sleeping platform with these logs. The central upright is a part of a maple tree, with some branches left on (not sure if I will keep these or not).
|Planning the sleeping platform/loft with my father.|
Our friendly neighbour Jani came to help again for few days, which was great because I didn’t really know much about building the platform. While I was entertaining some visiting relatives, Jani and my dad built the framework for the platform with the logs, ready for some planking later.
|Platform main frame completed. You’ll have to take my word for it 🙂|
When the platform frame was built and the boys were out of my way I could start thinking about a second earthen plaster coat on the walls. Again all the walls need doing, but I knew I wouldn’t have time, so I made a decision to apply it to the strawbale walls, since these are the ones that need more protection from vermins and elements. (Talking about vermins, while I was plastering the walls, a mouse ran out of the cottage from underneath the step of the front-door. I didn’t shriek but hoped it would find another home and filled the gaps under the step. I am sure it had had a nice time wintering under one of the earthbags in the wall but I would rather not have a mouse family live inside my cottage with me. In any case, I never saw it again.)
I made a more runny plaster with coarse sand, runny clay and sandy soil (which I have mainly been using for the cob mix). Our stack of coarse sand was dangerously low but I managed to make it last for the duration of my stay. Next year, I will have to purchase some more, as the sand-pit I originally got it from has now been filled and there is no access to it, which is a great shame in many ways. But it warms my heart to know that part of the landscape (sand-pit) in which I used to play as a child, and which is no more, is now part and inside of my walls…
Reading a bit of advice on the second plaster coat, I decided to work with two types of plaster, a runnier one for general surface cover and another one, much more sticky and thicker, for sculpting. I had always wanted to sculpt a female form into the wall but didn’t quite know how to go about it. I didn’t just want to ‘stick it on’, it would have to form naturally. But the only things that naturally came to my mind were the spirals of a magical, fractal tree, which adorned the cottage already outside and which I thought should somehow connect to the inside also. After all, the cottage is called Tree of Life.
In the evening, left on my own, I mixed a bit of natural blue pigment with water and started ‘sketching’ on the walls. It is so incredible how in the middle of all building, any kind of artistic activity feels so refreshing and outright magical. Once in a while I would sit down in a chair and look at the freehand swirls I had produced; did I need more here, some there? Was there a natural flow to it all? And where had the idea of a woman disappeared, as all I was left with were swirling branches of a tree? Never mind, let’s forget about the woman and make the tree, I thought – and went to bed.
|Drawing on walls – with permission!|
The next day I started working on the design. Adding a layer of runny plaster on the wall (which had been hosed down several times in the previous days to create a moist surface to which the next layer would bond – not as easily done as I initially thought), I then worked with the thicker, sculpting cob to add the design and 3-dimensionality on the wall. I just LOVE this part of making, working with cob. Burying my hands deep into a bucket of cob, feeling the grit, the straw, the mud, the earth, the love, the creativity flowing out of brain, through the materials, from my fingers, onto the wall. It’s like making love with nature! Pure bliss.
And soon I was making more tree branches and swirls and strands…. of hair. And then out of nowhere, she started emerging. Not as a whole body as I had thought, but as a huge head….
my Mother Nature, with tree branches as locks of her hair…. she kept coming out of the wall, into the wall, forming intuitively along the bumps and curves and textures. It’s almost as if I let her arrive, ever so gently calling her through my mind and shaping her with my loving fingers….
|Still unfinished but getting there. At least she is blushing now.|
I have sooo many ideas, so many dreams. I am so in love with mud. I never thought I could be so much in love with it. Having said that, my initial reaction to seeing photos of houses made with mud (cob) was to burst into tears, so maybe that said a lot – of how much this material touched my heart, my creative fires, my understanding of life – what I appreciate about our human existence. To creatively use materials from nature – nature that enabled us to be here and that gives us everything we need every single day – is a blessing. I almost cry when I write this. Thank you universe for showing me how amazing mud can be! Even dreaming about it is (almost) amazing enough.
Those three weeks I spent in Finland flew by. I was blessed with good weather and I was happy to see my family and for them to see my baby daughter Pinja. During the time in Finland, I buried her placenta next to the forest and planted an alpine pine tree over it. She will therefore always have roots in the place, along with me and of course, we will be spending many good times there in the future, hopefully building together as a family and appreciating the nature around us. I was also interviewed to a Finnish magazine ‘Meidan Mokki’ and the article comes out within a year, I will post more details of when. In the mean time, I keep bringing up my children in England and dreaming of more natural projects in the future. I have many ideas, very many. I hope to make at least some of them, because working with cob and natural materials equals love for me. And what is better than being in love?
|All my loves – and a small pine tree for Pinja.|
Until next time, we shall meet in dreams, preferably those of the mud kind. The ones I like best. But what ever you dream about, the main thing is that you do.
Thank you for reading.